Rossini’s Cinderella between music and literary text, wants to stage the value of the musical partition written by the composer from Pesaro in relation to Jacopo Ferretti’s booklet and the various socio-psycho-cultural themes that unfold in the work. The psychological aspect of the characters and the light and modern plot make of Cinderella a fresh and dynamic opera creation. But what is most striking is the unusual care of Rossini for a comic opera, in outlining the character of the protagonist.
Number of pages: 7
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